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The Paperback of the The Reciprocating Self: Human Development in Theological Perspective by Jack O. Balswick, Overview Publication date: 08/ 08/ expansions, and repowering, RFOs, Settlement Effective Date, terms – net capital cost factor, reciprocating engine performance, California existing CHP capacity summary, – data corrections, renewable portfolio standard, Self-Generation Incentive Program, . The reciprocating self: human development in theological perspective Contents/Summary Publication date: ; ISBN: (pbk.: alk. paper).

She lives a life of the mind, and it is her introspection and analysis of her internal conflicts that marks the psychological growth of Flaubert as an author. Charles Bovary, Emma's husband, is a very simple and common man. He is a country doctor by profession but is, as in everything else, not very good at it.

Yet he is a healthy man who enjoys his work, riding about to attend to patients. He is outgoing and friendly, with a gift for remembering names and faces, and he is mostly called upon to perform first aid. He does this competently enough to earn the loyalty and friendship of his patients in Tostes, however when he moves to Yonville to practice medicine there he is sabotaged by the pharmacist Homais.

Charles adores his wife and finds her faultless, despite obvious evidence to the contrary. He never suspects her affairs and gives her complete control over his finances, thereby securing his own ruin. Despite Charles's complete devotion to Emma, she despises him as she finds him the epitome of all that is dull and common. Rodolphe Boulanger is a wealthy local man who seduces Emma as one more in a long string of mistresses. Though occasionally charmed by Emma, Rodolphe feels little true emotion towards her.

As Emma becomes more and more desperate, Rodolphe loses interest and worries about her lack of caution. After his decision to escape with Emma, he resigns and feels unable to handle it, especially the existence of her daughter, Berthe. He leaves Yonville when he despairs of Emma reciprocating his feelings, however the two reconnect after Emma's affair with Rodolphe Boulanger collapses. They begin an affair, which is Emma's second.

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Monsieur Lheureux is a manipulative and sly merchant who continually convinces people in Yonville to buy goods on credit and borrow money from him.

Having led many small businesspeople into financial ruin to support his business ambitions, Lheureux lends money to Charles and plays Emma masterfully, leading the Bovarys so far into debt as to cause their financial ruin and Emma's suicide. Monsieur Homais is the town pharmacist.

He is vehemently anti-clerical and practices medicine without a license. Though he pretends to befriend Charles, he actively undermines Charles's medical practice by luring away his patients and by setting Charles up to attempt a difficult surgery, which fails and destroys Charles's professional credibility in Yonville. Justin is Monsieur Homais' apprentice and second cousin. He had been taken into the house from charity and was useful at the same time as a servant.

He harbors a crush on Emma. At one point he steals the key to the medical supply room, and Emma tricks him into opening a container of arsenic so she can "kill some rats keeping her awake".

She, however, consumes the arsenic herself, much to his horror and remorse. Setting[ edit ] The setting of the novel is important, first as it applies to Flaubert's realist style and social commentary, and, second, as it relates to the protagonist, Emma. Francis Steegmuller estimated that the novel begins in October and ends in August This corresponds with the July Monarchy — the reign of Louis Philippe Iwho strolled Paris carrying his own umbrella as if to honor an ascendant bourgeois middle class.

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Much of the time and effort that Flaubert spends detailing the customs of the rural French people shows them aping an urban, emergent middle class. Flaubert strove for an accurate depiction of common life. The account of a county fair in Yonville displays this and dramatizes it by showing the fair in real time counterpoised with a simultaneous intimate interaction behind a window overlooking the fair.

Flaubert knew the regional setting, the place of his birth and youth, in and around the city of Rouen in Normandy. His faithfulness to the mundane elements of country life has garnered the book its reputation as the beginning of the movement known as literary realism. Flaubert's capture of the commonplace in his setting contrasts with the yearnings of his protagonist.

The practicalities of common life foil Emma's romantic fantasies.

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Flaubert uses this juxtaposition to reflect both setting and character. Emma becomes more capricious and ludicrous in the light of everyday reality. Yet her yearnings magnify the self-important banality of the local people. Emma, though impractical, and with her provincial education lacking and unformed, still reflects a hopefulness regarding beauty and greatness that seems absent in the bourgeois class.

Style[ edit ] The book was in some ways inspired by the life of a schoolfriend of the author who became a doctor. Flaubert's friend and mentor, Louis Bouilhethad suggested to him that this might be a suitably "down-to earth" subject for a novel and that Flaubert should attempt to write in a "natural way," without digressions.

While writing the novel, he wrote that it would be "a book about nothing, a book dependent on nothing external, which would be held together by the internal strength of its style," [3] an aim which, for the critic Jean Roussetmade Flaubert "the first in date of the non-figurative novelists," such as James Joyce and Virginia Woolf.

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